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Stereoscopic Cinema & the Origins of 3-D Film, 1838–1952$
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Ray Zone

Print publication date: 2007

Print ISBN-13: 9780813124612

Published to Kentucky Scholarship Online: September 2011

DOI: 10.5810/kentucky/9780813124612.001.0001

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PRINTED FROM KENTUCKY SCHOLARSHIP ONLINE (www.kentucky.universitypressscholarship.com). (c) Copyright The University Press of Kentucky, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in KSO for personal use (for details see http://www.kentucky.universitypressscholarship.com/page/privacy-policy).date: 18 November 2017

Stereoscopic Cinema Proves Itself

Stereoscopic Cinema Proves Itself

Chapter:
(p.141) 9 Stereoscopic Cinema Proves Itself
Source:
Stereoscopic Cinema & the Origins of 3-D Film, 1838–1952
Author(s):

Ray Zone

Publisher:
University Press of Kentucky
DOI:10.5810/kentucky/9780813124612.003.0010

This chapter looks at several developments in stereoscopic cinema, from the Lumiere brothers' film the L'Arrivee du train, the polarization of light rays, and the Vectograph. The Vectograph combined the images from the left and right eyes, along with polarization crossed at 90 degrees, on a single print. It soon was able to simplify stereoscopic motion picture projection.

Keywords:   stereoscopic cinema, L'Arrivee du train, polarization, light rays, Vectograph, stereoscopic motion picture projection

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