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Stereoscopic Cinema & the Origins of 3-D Film, 1838–1952$
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Ray Zone

Print publication date: 2007

Print ISBN-13: 9780813124612

Published to Kentucky Scholarship Online: September 2011

DOI: 10.5810/kentucky/9780813124612.001.0001

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Epilogue

Epilogue

Chapter:
(p.181) Epilogue
Source:
Stereoscopic Cinema & the Origins of 3-D Film, 1838–1952
Author(s):

Ray Zone

Publisher:
University Press of Kentucky
DOI:10.5810/kentucky/9780813124612.003.0012

This chapter discusses changes that occurred after the Festival of Britain. It asks the question whether the Festival of Britain played a part in the 3-D boom in Hollywood in the 1950s or not. Newer cameras were invented, thus improving the situation for stereographic pictures. The changes during this period contributed to the continuous evolution of digital 3-D cinema, and ensured that the alluring possibility of a new visual grammar for stereoscopic motion pictures presented itself once again.

Keywords:   Festival of Britain, 3-D boom, Hollywood, stereographic pictures, digital 3-D cinema, visual grammar, stereoscopic motion pictures

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