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Stereoscopic Cinema & the Origins of 3-D Film, 1838–1952$
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Ray Zone

Print publication date: 2007

Print ISBN-13: 9780813124612

Published to Kentucky Scholarship Online: September 2011

DOI: 10.5810/kentucky/9780813124612.001.0001

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PRINTED FROM KENTUCKY SCHOLARSHIP ONLINE (www.kentucky.universitypressscholarship.com). (c) Copyright The University Press of Kentucky, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in KSO for personal use (for details see http://www.kentucky.universitypressscholarship.com/page/privacy-policy).date: 20 September 2017

The Peep Show Tradition

The Peep Show Tradition

Chapter:
(p.19) 2 The Peep Show Tradition
Source:
Stereoscopic Cinema & the Origins of 3-D Film, 1838–1952
Author(s):

Ray Zone

Publisher:
University Press of Kentucky
DOI:10.5810/kentucky/9780813124612.003.0003

This chapter discusses peep shows, which were a common form of entertainment to be found at fairgrounds and on European streets. It describes how a peep show works, which is composed of 2-D images. 3-D is then added by means of perspective, transmitted or reflected light, and special lenses. It also looks at vision, the fundamental principle behind movies, and the development of peep shows from William Thomas Shaw's 3-D peep shows to the stereo Phenakistoscope of Charles Wheatstone.

Keywords:   peep shows, 2-D images, 3-D peep shows, vision, movies, William Thomas Shaw, stereo Phenakistoscope, Charles Wheatstone

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