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Stereoscopic Cinema & the Origins of 3-D Film, 1838–1952$
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Ray Zone

Print publication date: 2007

Print ISBN-13: 9780813124612

Published to Kentucky Scholarship Online: September 2011

DOI: 10.5810/kentucky/9780813124612.001.0001

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PRINTED FROM KENTUCKY SCHOLARSHIP ONLINE (www.kentucky.universitypressscholarship.com). (c) Copyright The University Press of Kentucky, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in KSO for personal use (for details see http://www.kentucky.universitypressscholarship.com/page/privacy-policy).date: 20 November 2017

Motion Pictures Begin

Motion Pictures Begin

Chapter:
(p.35) 3 Motion Pictures Begin
Source:
Stereoscopic Cinema & the Origins of 3-D Film, 1838–1952
Author(s):

Ray Zone

Publisher:
University Press of Kentucky
DOI:10.5810/kentucky/9780813124612.003.0004

This chapter discusses how motion pictures began and looks at inventions and contributions by important individuals to the development of motion pictures. It starts with an account of Eadwear Muybrige's attempts to place still stereo photographs in the proper order to convey motion. Muybridge also produced a series of stereo panoramas of San Francisco and Guatemala, which are the forerunners to the cinematic experience. Etienne-Jules Marey invented a chronophotographic gun that could record rapid exposures on a rotating glass plate, while Thomas Edison perfected his phonograph in November 1877.

Keywords:   motion pictures, development, Eadwear Muybridge, stereo photographs, stereo panoramas, cinematic experience, Etienne-Jules Marey, chronophotographic gun, Thomas Edison, phonograph

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