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Stereoscopic Cinema & the Origins of 3-D Film, 1838–1952$
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Ray Zone

Print publication date: 2007

Print ISBN-13: 9780813124612

Published to Kentucky Scholarship Online: September 2011

DOI: 10.5810/kentucky/9780813124612.001.0001

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PRINTED FROM KENTUCKY SCHOLARSHIP ONLINE (www.kentucky.universitypressscholarship.com). (c) Copyright The University Press of Kentucky, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in KSO for personal use (for details see http://www.kentucky.universitypressscholarship.com/page/privacy-policy).date: 21 July 2018

Public Exhibition of 3-D Films Begins

Public Exhibition of 3-D Films Begins

Chapter:
(p.86) 6 Public Exhibition of 3-D Films Begins
Source:
Stereoscopic Cinema & the Origins of 3-D Film, 1838–1952
Author(s):

Ray Zone

Publisher:
University Press of Kentucky
DOI:10.5810/kentucky/9780813124612.003.0007

This chapter discusses the public exhibition of 3-D films that began to take place in Europe and the United States. Many inventors also started proposing an array of devices for capture and display of moving images in three dimensions. The chapter looks at the developments around 1900, including high-speed stereo cinematography, color stereoscopic cinematography, innovative editing, color 3-D photography, and anaglyphic motion pictures.

Keywords:   3-D films, high-speed stereo cinematography, color stereoscopic cinematography, innovative editing, color 3-D photography, anaglyphic motion pictures, public exhibition, moving images

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