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Lessons in LikenessPortrait Painters in Kentucky and the Ohio River Valley, 1802-1920$
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Estill Curtis Pennington

Print publication date: 2010

Print ISBN-13: 9780813126128

Published to Kentucky Scholarship Online: September 2011

DOI: 10.5810/kentucky/9780813126128.001.0001

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PRINTED FROM KENTUCKY SCHOLARSHIP ONLINE (www.kentucky.universitypressscholarship.com). (c) Copyright The University Press of Kentucky, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in KSO for personal use (for details see www.kentucky.universitypressscholarship.com/page/privacy-policy).date: 13 December 2018

1865–1920

1865–1920

Exhibitions, Collecting, and International Trends

Chapter:
(p.67) 1865–1920
Source:
Lessons in Likeness
Author(s):

Estill Curtis Pennington

Publisher:
University Press of Kentucky
DOI:10.5810/kentucky/9780813126128.003.0003

This chapter begins by showing a New England expatriate and a Confederate penitent that address the newly freed slaves. It also explains the fair years in Louisville. It discusses R. J. Menefee's death, the re-interment of Matthew Harris Jouett, and the creation of the Jouett revival. Samuel Woodson Price recalls “old masters of the Bluegrass.” In addition, a Kentucky student of Frank Duveneck painted Louisville's idyllic poet, Madison Cawein. Once photography was introduced, an intervening lens was inserted between artist and sitter, transforming the artist's role into that of a mirror. What truly illuminates the brief backward glance is the impressive array of artists working in Kentucky and the Ohio River Valley, from whose work we may construct diverse aesthetic viewpoints.

Keywords:   R. J. Menefee, Matthew Harris Jouett, Samuel Woodson Price, Frank Duveneck, Madison Cawein, Kentucky, Ohio River Valley, photography

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