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Dear AppalachiaReaders, Identity, and Popular Fiction since 1878$
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Emily Satterwhite

Print publication date: 2012

Print ISBN-13: 9780813130101

Published to Kentucky Scholarship Online: January 2012

DOI: 10.5810/kentucky/9780813130101.001.0001

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City to Country, circa 1967–1970

City to Country, circa 1967–1970

Chapter:
(p.131) Chapter 4 City to Country, circa 1967–1970
Source:
Dear Appalachia
Author(s):

Emily Satterwhite

Publisher:
University Press of Kentucky
DOI:10.5810/kentucky/9780813130101.003.0005

Chapter 4 demonstrates the ways that best-selling Appalachian-set fiction in the Vietnam era produced the region as authentic, promoted regional identity, and trained high middlebrow readers to recognize Appalachia's denizens as stand-ins for racial Others who call forth touristic, missionary, or imperialist responses. Both best sellers mentioned in this chapter imagine Appalachia as both a romantic and nightmarish departure from the normative. Readers of Catherine Marshall's pastoral Christy (1967) found affirmation for their missionary outlooks and felt compelled to vacation in the novel's East Tennessee setting. James Dickey's Deliverance (1970) attracted fans among southern and academic highbrow readers, outdoor enthusiasts, and readers desiring a raw and pristine land peopled by white Americans uncorrupted by mass society. Surprisingly, fan mail indicates that the seemingly stereotypical representations of regional people found in both novels helped generate and maintain regional identity among certain readers. Descendents of out-migrants from Appalachia were drawn to Christy as evidence of their humble but colorful heritage, while homesick out-migrants from the broader South managed to find in Dickey's depraved hillbillies a comforting glimpse of home.

Keywords:   James Dickey, Deliverance, Catherine Marshall, Christy, fan mail, tourism, missionary, best sellers, regional identity, Vietnam era

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