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Raoul WalshThe True Adventures of Hollywood's Legendary Director$

Marilyn Ann Moss

Print publication date: 2011

Print ISBN-13: 9780813133935

Published to Kentucky Scholarship Online: September 2011

DOI: 10.5810/kentucky/9780813133935.001.0001

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(p.465) Selected Bibliography

(p.465) Selected Bibliography

Source:
Raoul Walsh
Publisher:
University Press of Kentucky

Bibliography references:

Oral Histories, Seminars, and Retrospectives Pertaining to Walsh

Adamson, Joe. Interview with Byron Haskin. The Directors Guild of America Oral History Series. Los Angeles, 1984.

“Seminar with Raoul Walsh.” New York Times Oral History. American Film Institute, Los Angeles, 1977.

The Thousand Eyes. “Raoul Walsh.” New York, June 1974. Notes from the Raoul Walsh Retrospective at MOMA under the direction of Roger McNiven and Howard Mandelbaum.

Books and Articles Containing Interviews with Walsh

Bogdanovich, Peter. Who the Devil Made It? Conversations with Legendary Film Directors. New York: Ballantine, 1997. Interview on 127–69.

Child, James. “Can You Ride the Horse?” Sight and Sound, Winter 1972–1973.

Eyquem, Olivier, Michael Henry, and Jacques Saada. “Entretien avec Raoul Walsh.” Positif, February 1973.

Fox, Julian. “Action All the Way.” Films and Filming, June–July 1973.

McGilligan, Patrick, ed. Film Crazy: Interviews with Hollywood Legends. New York: St. Martin’s, 2000. Interview on 9–52.

McGilligan, Patrick, Debra Weiner, and Bruce Dix. “Raoul Walsh Remembers Warners.” Velvet Light Trap, Autumn 1975.

Montgomery, Patrick. “Raoul Walsh Talks about D. W. Griffith.” Film Heritage, Spring 1975.

Noames, Jean-Louis. “Entretien avec Raoul Walsh.” Cahiers du Cinema, April 1964.

Schickel, Richard. The Men Who Made the Movies. New York: Atheneum, 1975. Interview on 15–54.

Sherman, Eric, ed. Directing the Film: Directors on Their Art. Los Angeles: Acrobat, for the American Film Institute, 1976.

Stevens, George, Jr., ed. Conversations with the Great Moviemakers of Hollywood’s Golden Age—at the American Film Institute. New York: Vintage, 2006. Interview on 20–32.

(p.466) Books and Articles Discussing Walsh, His Films, and His Times

Agee, James. Agee on Film. 2 vols. New York: Perigee/Putnam, 1958–1960.

Behlmer, Rudy, ed. Inside Warner Bros., 1935–1951. New York: Viking, 1985.

Bernstein, Matthew. Walter Wagner, Hollywood Independent. Minneapolis: University of Minnesota Press, 2000.

Bessie, Alvah. Inquisition in Eden. New York: Macmillan, 1965.

Beylie, Claude. “Meconnaissance de Raoul Walsh.” Cinematext, May–June 1963.

Biette, Jean-Claude. “Aperçu Raoul Walsh.” Traffic, Winter 1998.

Bitzer, Billy. Billy Bitzer, His Story. New York: Farrar, Straus, Giroux, 1973.

Bleys, Jean-Pierre. “Quelques jalons (peu connus) dans le parcours de Raoul Walsh.” Positif, July–August 1989.

Bodeen, DeWitt. “Raoul Walsh.” Films in Review, April 1982.

Brownlow, Kevin. Behind the Mask of Innocence: Sex, Violence, Prejudice, Crime: Films of Social Conscience in the Silent Era. Berkeley and Los Angeles: University of California Press, 1990.

———. The Parade’s Gone By. Berkeley and Los Angeles: University of California Press, 1968.

———. “Raoul Walsh.” Film, Autumn 1982.

———. The War, the West and the Wilderness. New York: Knopf, 1978.

Burnett, W. R. High Sierra. New York: Zebra, 1940.

Cagney, James. Cagney by Cagney. New York: Doubleday, 1976.

Canham, Kingsley. The Hollywood Professionals. Vol. 1, Michael Curtiz, Raoul Walsh, Henry Hathaway. London: Tantivy, 1973.

Caron, Leslie. Thank Heaven: A Memoir. New York: Viking Adult, 2009.

Cary, Diana Serra. The Hollywood Posse: The Story of a Gallant Band of Horsemen Who Made Movie History. New York: Houghton Mifflin, 1975.

Casas, Joaquin. Raoul Walsh. Madrid: JC, 1982.

Cohen, Paula Marantz. Silent Film and the Triumph of the American Myth. Oxford: Oxford University Press, 2001.

Comuzio, Emmano. Raoul Walsh. Florence: La Nuovo Italia, 1974.

Conley, Walter. “Raoul Walsh, His Silent Films.” Silent Picture, Winter 1970–1971.

Cooper, Miriam. Dark Lady of the Silents: My Life in Early Hollywood. New York: Bobbs-Merrill, 1973.

Coursodon, Jean-Pierre, and Bertrand Tavernier. American Directors. 2 vols. New York: McGraw-Hill, 1983.

Courtney, Susan. Hollywood Fantasies of Miscegenation. Princeton, NJ: Princeton University Press, 2005.

Crafton, Donald. The Talkies: American Cinema’s Transition to Sound, 1926–1931. Berkeley and Los Angeles: University of California Press, 1997.

Cruikshank, Herbert. “He Envies His Actors; And upon the Least Provocation Raoul Walsh Stops Directing and Joins Them.” Motion Picture Classic, January 1929.

(p.467) Custer, Elizabeth Bacon. Boots and Saddles: Life in Dakota with General Custer. New York: Harper & Bros., 1885.

D’Angela, Toni. Raoul Walsh o dell’avventura singolare. Rome: Bulzone, 2008.

Donati, William. Ida Lupino: A Biography. Lexington: University Press of Kentucky, 1996.

Douglas, Kirk. The Ragman’s Son. New York: Simon & Schuster, 1998.

Everson, William K. American Silent Film. New York: Da Capo, 1998.

Farber, Manny. Negative Space. New York: Da Capo, 1998.

Fiedler, Leslie. Love and Death in the American Novel. New York: Stein & Day, 1966.

“Film Division Names Director Advisors.” Moving Picture World, July 20, 1918, 363–64.

Fishgall, Gary. Gregory Peck: A Biography. New York: Scribner, 2002.

Flynn, Errol. My Wicked, Wicked Ways. New York: Dell, 1959.

Forbes, Bryan. “The Last Buccaneer.” Observer Magazine, December 2, 1979.

———. Notes for a Life. London: Collins, 1974.

Fox, Susan, and Donald G. Rosellini. William Fox: A Story of Early Hollywood. Baltimore: Midnight Marquee, 2006.

Freedland, Michael. The Two Lives of Errol Flynn: The Legends and the Truth about a Lovable, Outrageous Rogue. New York: Morrow, 1978.

Gallagher, John. “Raoul Walsh.” Films in Review, October 1987, 472–78.

Giddins, Gary. Bing Crosby: A Pocketful of Miracles: The Early Years, 1903–1940. Boston: Little, Brown, 2001.

Giuliani, Pierre. Raoul Walsh. Filmo no. 14. Paris: Edilig, 1985.

Golden, Eve. Vamp: The Rise and Fall of Theda Bara. Vestal, NY: Empire, 1996.

Gomery, Douglas. The Hollywood Studio System: A History. London: British Film Institute, 2005.

Grady, Bill. The Irish Peacock: Confessions of a Legendary Talent Agent. New Rochelle, NY: Arlington, 1972.

Graham, Cooper, Steve Higgins, Elaine Mancini, and Joao Luiz Viera. D. W. Griffith and the Biograph Company. Metuchen, NJ: Scarecrow, 1985.

Gunning, Tom. D. W. Griffith and the Origins of the American Narrative Film: The Early Years at Biograph. Champaign: University of Illinois Press, 1993.

Hardy, Phil, ed. Raoul Walsh, Edinburgh Film Festival, 1974. Colchester: Vineyard, 1974.

Henry, Michael. “Raoul Walsh, le roman du continent perdu.” Positif, December 1998.

Higham, Charles. “He Directed Them All.” New York Times, April 14, 1974.

“His Beard Was Long and His Hair Hung Down, and the Girl of His Heart Was Coming to Town.” Moving Picture World, October 4, 1919, 66.

Huggins, Roy. “Remembering Raoul Walsh.” Variety, October 27, 1987.

Hunter, Tab, with Eddie Muller. Tab Hunter Confidential: The Making of a Movie Star. Chapel Hill, NC: Algonquin, 2005.

(p.468) Kemp, Philip. “Raoul Walsh.” In World Film Directors (2 vols.), ed. John Wakeman, 1:1149–59. New York: Wilson, 1987.

Kildare, Owen. My Mamie Rose: The Story of My Regeneration. New York: Baker & Taylor, 1903.

Marmin, Michael, Raoul Walsh. Paris: Seghers, 1970.

Mason, Fred. American Gangster Cinema: From Little Caesar to Pulp Fiction. New York: Palgrave Macmillan, 2002.

Mayo, Virginia. The Best Years of My Life. Chesterfield, MO: Beach House, 2001.

McBride, Joseph. Searching for John Ford: A Life. New York: St. Martin’s, 2001.

McCarthy, Todd. Howard Hawks: The Grey Fox of Hollywood. New York: Grove, 1997.

McGilligan, Patrick, ed. Backstory 1: Interviews with Screenwriters of Hollywood’s Golden Age. Berkeley: University of California Press, 1986.

———, ed. White Heat. Wisconsin/Warner Bros. Screen Play Series. Madison: University of Wisconsin Press, 1984.

McGilligan, Patrick, and Paul Buhle. Tender Comrades: A Backstory of the Hollywood Blacklist. New York: St. Martin’s, 1997.

McLaglen, Victor. Express to Hollywood. London: Jarrolds, 1935.

McNiven, Roger. “Raoul Walsh, 1887–1981 [sic].” Film Comment, July–August 1981.

———. “The Western Landscape of Raoul Walsh.” Velvet Light Trap, Autumn 1975.

Mizner, Wilson. “Wilson Mizner Turns Informer.” Photoplay, November 1928.

“A Motion Picture Director’s Problems.” Moving Picture World, May 4, 1918, 702.

Munn, Michael. John Wayne: The Man behind the Myth. New York: New American Library, 2003.

Nasaw, David. The Chief: The Life of William Randolph Hearst. New York: Mariner, 2001.

Oppenheimer, Jerry. Idol: Rock Hudson. New York: Bantam, 1987.

Parrish, Robert. Growing Up in Hollywood. New York: Harcourt Brace Jova-novich, 1976.

Phillip, Claude-Jean. “Un sublime si familiar.” Presence du cinema, May 1962.

Poitier, Sydney. This Life. New York: Knopf, 1980.

Quinn, Anthony, with Daniel Paisner. One Man Tango. New York: Harper Collins, 1995.

Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture Industry through 1925. New York: Touchstone, 1954.

“Raoul A. Walsh to Direct George Walsh.” Moving Picture World, September 22, 1917, 1838.

“Raoul A. Walsh to Make Special Stills for Use on Posters.” Moving Picture World, August 21, 1920, 1055.

(p.469) “Raoul Walsh Asks Damages of $245,000, Charging Mayflower Violated Contract.” Moving Picture World, March 12, 1921, 176.

“Raoul Walsh Back to Coast.” Moving Picture World, February 19, 1916, 1113.

“Raoul Walsh Plays and Directs.” Moving Picture World, December 17, 1927, 27.

“Raoul Walsh to Direct Gloria.” Moving Picture World, June 4, 1927, 329.

“Raoul Walsh Will Return to Fox.” Moving Picture World, September 24, 1927, 223.

Ravanbaz, Raymond. “Le monde de Raoul Walsh est celui de l’aventure.” Radio-Cinema-Television, February 22, 1959.

Roberts, Jerry, ed. Mitchum: In His Own Words. New York: Limelight, 2000.

Robinson, Edward G., and Leonard Spigelgass. All My Yesterdays. New York: Hawthorn, 1973.

Russell, Jane. Jane Russell: My Path and My Detours: An Autobiography. New York: F. Watts, 1985.

Saada, Jacques. “Un homme ocean.” Presence du cinema, May 1962.

Saint Johns, Ivan. “The Lion Tamer.” Photoplay, September 1925.

Schickel, Richard. D. W. Griffith: An American Life. New York: Limestone, 1984.

Segond, Jacques. “Each Man in His Time and Raoul Walsh.” Edited by Phil Hardy. Positif, June 1976.

Server, Lee. Robert Mitchum: “Baby, I Don’t Care.” New York: St. Martin’s/Griffin, 2002.

———. Screenwriter, Words Become Pictures. Pittstown, NJ, 1987. [Interviews with A. I. Bezzerides on They Drive by Night and Catherine Turney on The Man I Love.]

Sklar, Robert. City Boys: Cagney, Bogart, Garfield. Princeton, NJ: Princeton University Press, 1992.

Skorecki, Louis. Raoul Walsh et moi, suivi de Contre la nouvelle cinephilie. Paris: Presses Universitaires de France, 2001.

Special issue on Raoul Walsh. Cahiers du cinema, April 1964.

Special issue on Raoul Walsh. Contrechamp, May 1962.

Special issue on Raoul Walsh. Film and Filming, June 1977.

Special issue on Raoul Walsh. Positif, February 1973.

Special issue on Raoul Walsh. Positif, December 1998.

Special issue on Raoul Walsh. Positif, April 2001.

Special issue on Raoul Walsh. Presence du cinema, May 1962.

Sperber, A. M., and Eric Lax. Bogart. New York: Morrow, 1997.

Swanson, Gloria. Swanson on Swanson: An Autobiography. New York: Random House, 1980.

“To Probably Transfer Walsh-Mayflower Suit.” Moving Picture World, April 23, 1921, 828.

Tornabene, Lyn. Long Live the King. New York: Putnam’s, 1976.

Vance, Jeffrey, with Tony Maietta. Douglas Fairbanks. Berkeley and Los Angeles: University of Californa Press/Academy of Motion Picture Arts and Sciences, 2008.

(p.470) Villelaur, Anne. “Raoul Walsh.” Dossiers du cinema, Cineastes II. Casterman, Paris, 1971.

Walsh, Raoul. La colère des justes (The wrath of the just ones). Paris: Belford, 1972.

———. Each Man in His Time. New York: Farrar, Straus, Giroux, 1974.

———. “Spontaneity in Acting.” New York Times, April 27, 1924.

“Walsh an Adventurer.” Moving Picture World, July 4, 1914, 18.

“Walsh Joins Goldwyn.” Moving Picture World, December 1, 1917, 1301.

“The Walsh’s [sic] Are Working Together.” Moving Picture World, August 17, 1918, 997.

“Walsh Talks about Casting.” Moving Picture World, January 12, 1918, 57.

“Walsh to Occupy Municipal Studios in Long Island City Now Being Formed.” Moving Picture World, January 31, 1920, 760.

“Walsh to Remain with Fox.” Moving Picture World, January 19, 1918, 345.

Warner, Jack. My First Hundred Years in Hollywood. New York: Random House, 1965.

Watts, Jill. Mae West: An Icon in Black and White. New York: Oxford University Press, 2003.

West, Mae. Goodness Had Nothing to Do with It. New York: Manor, 1976.

“What Walsh Found in Goldwyn Studio.” Moving Picture World, January 5, 1918, 57.

Wills, Garry. John Wayne’s America. New York: Touchstone, 1998.

Wilson, Michael Henry. Raoul Walsh; ou, La saga du continent perdu. Paris: Cinematheque Française, 2001.

Youngkin, Stephen D. The Lost One: A Life of Peter Lorre. Lexington: University Press of Kentucky, 2005.