- Title Pages
- Dedication
- Acknowledgments
- Prologue
-
1 Enter Hal -
2 The Artist as a Young Man -
3 Los Angeles -
4 Doors Open … -
5 The Family Man -
6 Norman -
7 Motion Picture Pioneers of America -
8 1968 -
9 Where it’s at -
10 The Director -
11 Harold and Maude -
12 Nicholson -
13 The Last Detail -
14 Shampoo -
15 Glory Bound -
16 Coming Home -
17 Double Feature -
18 Being There -
19 Lookin’ to Get Out -
20 Like a Rolling Stone -
21 Getting Out -
22 Old Man -
23 The Slugger's Wife -
24 8 Million Ways to Die -
25 The Last Movie -
26 Starting Over -
27 Do Not Go Gentle - Filmography
- Index
Where it’s at
Where it’s at
- Chapter:
- (p.98) 9 Where it’s at
- Source:
- Being Hal Ashby
- Author(s):
Nick Dawson
- Publisher:
- University Press of Kentucky
This chapter examines the developments in the professional career of Hal Ashby after his first Academy Award for film editing. When Ashby told Norman Jewison that he wanted to become a film director, the latter again offered him his help. To prepare Ashby for directing, Jewison kept him on as associate producer but reduced his editorial duties so he could be on set to watch and learn. These projects include Gaily, Gaily and The Confessions of Nat Turner. After these films, Jewison offered Ashby to direct The Landlord.
Keywords: Hal Ashby, Norman Jewison, film director, associate producer, Gaily Gaily, The Confessions of Nat Turner, The Landlord
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- Title Pages
- Dedication
- Acknowledgments
- Prologue
-
1 Enter Hal -
2 The Artist as a Young Man -
3 Los Angeles -
4 Doors Open … -
5 The Family Man -
6 Norman -
7 Motion Picture Pioneers of America -
8 1968 -
9 Where it’s at -
10 The Director -
11 Harold and Maude -
12 Nicholson -
13 The Last Detail -
14 Shampoo -
15 Glory Bound -
16 Coming Home -
17 Double Feature -
18 Being There -
19 Lookin’ to Get Out -
20 Like a Rolling Stone -
21 Getting Out -
22 Old Man -
23 The Slugger's Wife -
24 8 Million Ways to Die -
25 The Last Movie -
26 Starting Over -
27 Do Not Go Gentle - Filmography
- Index