- Title Pages
- Dedication
- Acknowledgments
- Prologue
-
1 Enter Hal -
2 The Artist as a Young Man -
3 Los Angeles -
4 Doors Open … -
5 The Family Man -
6 Norman -
7 Motion Picture Pioneers of America -
8 1968 -
9 Where it’s at -
10 The Director -
11 Harold and Maude -
12 Nicholson -
13 The Last Detail -
14 Shampoo -
15 Glory Bound -
16 Coming Home -
17 Double Feature -
18 Being There -
19 Lookin’ to Get Out -
20 Like a Rolling Stone -
21 Getting Out -
22 Old Man -
23 The Slugger's Wife -
24 8 Million Ways to Die -
25 The Last Movie -
26 Starting Over -
27 Do Not Go Gentle - Filmography
- Index
Norman
Norman
- Chapter:
- (p.68) 6 Norman
- Source:
- Being Hal Ashby
- Author(s):
Nick Dawson
- Publisher:
- University Press of Kentucky
This chapter examines the role of film director/producer Norman Jewison in the career of Hal Ashby as a director. During Ashby's dark hours after he was fired from The Loved One, Jewison offered him to edit The Cincinnati Kid. For the rest of the 1960s, Jewison's presence in Ashby's life guaranteed him not only regular, secure work but also devoted friendship. Jewison became a mentor to Ashby, and working alongside him gave Ashby a master class in how to operate as a director, starting with the way he stamped his authority on The Cincinnati Kid.
Keywords: Hal Ashby, Norman Jewison, film director, producer, film editing, The Loved One, The Cincinnati Kid, mentor
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- Title Pages
- Dedication
- Acknowledgments
- Prologue
-
1 Enter Hal -
2 The Artist as a Young Man -
3 Los Angeles -
4 Doors Open … -
5 The Family Man -
6 Norman -
7 Motion Picture Pioneers of America -
8 1968 -
9 Where it’s at -
10 The Director -
11 Harold and Maude -
12 Nicholson -
13 The Last Detail -
14 Shampoo -
15 Glory Bound -
16 Coming Home -
17 Double Feature -
18 Being There -
19 Lookin’ to Get Out -
20 Like a Rolling Stone -
21 Getting Out -
22 Old Man -
23 The Slugger's Wife -
24 8 Million Ways to Die -
25 The Last Movie -
26 Starting Over -
27 Do Not Go Gentle - Filmography
- Index