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Animating SpaceFrom Mickey to WALL-E$
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J.P. Telotte

Print publication date: 2010

Print ISBN-13: 9780813125862

Published to Kentucky Scholarship Online: September 2011

DOI: 10.5810/kentucky/9780813125862.001.0001

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Digital Effects Animation and the New Hybrid Cinema

Digital Effects Animation and the New Hybrid Cinema

Chapter:
(p.222) (p.223) 10 Digital Effects Animation and the New Hybrid Cinema
Source:
Animating Space
Author(s):

J. P. Telotte

Publisher:
University Press of Kentucky
DOI:10.5810/kentucky/9780813125862.003.0011

This chapter discusses and assesses the changes that contemporary cinema is seeing as the techniques and technology demonstrated in the animated films of Pixar increasingly migrate to and affect the world of live-action cinema. The lines between the two become increasingly blurred, and the very term animation seems to be taking on a whole new meaning. It looks at works that suggest the range of animation hybridity today, such as Pirates of the Caribbean: The Curse of the Black Pearl (2003).

Keywords:   contemporary cinema, techniques, technology, animated films, Pixar, animation hybridity, Pirates of the Caribbean

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