Jump to ContentJump to Main Navigation
Animating SpaceFrom Mickey to WALL-E$
Users without a subscription are not able to see the full content.

J.P. Telotte

Print publication date: 2010

Print ISBN-13: 9780813125862

Published to Kentucky Scholarship Online: September 2011

DOI: 10.5810/kentucky/9780813125862.001.0001

Show Summary Details
Page of

PRINTED FROM KENTUCKY SCHOLARSHIP ONLINE (www.kentucky.universitypressscholarship.com). (c) Copyright The University Press of Kentucky, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in KSO for personal use.date: 08 December 2021

Looking in on LifeDisney’s Real Spaces

Looking in on LifeDisney’s Real Spaces

(p.130) (p.131) 6 Looking in on Life
Animating Space

J. P. Telotte

University Press of Kentucky

This chapter discusses and examines Disney's later exploitation of various reality effects, as it drew together two spatial technologies. The first was the multiplane camera, which would bring the studio an Academy Award for Technical Achievement with The Old Man. The second was hybrid animation, the process through which the studio had effectively come into existence with its Alice comedies of 1923–1927. These would allow the studio to produce popular animated films such as Snow White and the Seven Dwarfs (1937), Bambi (1942), and Fun and Fancy Free (1947).

Keywords:   Disney, reality effects, spatial technologies, multiplane camera, hybrid animation, Alice comedies, Snow White, Bambi, Fun and Fancy Free

Kentucky Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .