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Animating SpaceFrom Mickey to WALL-E$
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J.P. Telotte

Print publication date: 2010

Print ISBN-13: 9780813125862

Published to Kentucky Scholarship Online: September 2011

DOI: 10.5810/kentucky/9780813125862.001.0001

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PRINTED FROM KENTUCKY SCHOLARSHIP ONLINE (www.kentucky.universitypressscholarship.com). (c) Copyright The University Press of Kentucky, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in KSO for personal use.date: 24 November 2020

What’s Up—And Down—Doc?

What’s Up—And Down—Doc?

Warner Bros., Chuck Jones, and Abstract Space

Chapter:
(p.156) (p.157) 7 What’s Up—And Down—Doc?
Source:
Animating Space
Author(s):

J. P. Telotte

Publisher:
University Press of Kentucky
DOI:10.5810/kentucky/9780813125862.003.0008

This chapter discusses Warner Bros.' Looney Tunes and Merrie Melodies cartoons, which seemed almost invariably to stake out a very different territory from that of the Disney works. The Warner Bros. cartoons play far more freely at the fringes of the real and explore many of the potentials of a form wherein nearly everything in the animated world comes from the same stuff. The works of Chuck Jones, the most lauded director of the animation unit, show a repeated concern with narratizing space, with shifting the terms of interrogation from animation style to what is termed style-in-action.

Keywords:   Warner Bros., Looney Tunes, Merrie Melodies, animated world, Chuck Jones, narratizing space, style-in-action

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