- Title Pages
- [UNTITLED]
- Dedication
- [UNTITLED]
- The Man Who Asked for Onions
- Vienna
- Love and Other Distractions
- An Artist’s Life
- The World, the Flesh, and William A. Brady
- In Uniform
- Over There
- Out There
- Photographing a Thought
- A Genuine Genius
- Three Sheets to the Wind
- The Ascent of Paramount
- The City of Dreadful Night
- A Great Man
- Came the Dawn
- The Lady with the Legs
- Falling in Love Again
- The Woman All Women Want to See
- Spies
- Talk like a Train
- Come Early, Stay Late
- Russian Dolls
- Moscow Rules
- The End of the Affair
- Cardboard Continental
- Far Cathay
- The Claudius Trap
- Family Ties
- The War at Home
- Americana
- The Seven Bad Years
- Because I Am a Poet
- The Lion Is Loose
- “Why Have I Not Been Given a Woman?”
- Acknowledgments
- Filmography
- Bibliography
- Index
The City of Dreadful Night
The City of Dreadful Night
- Chapter:
- (p.67) The City of Dreadful Night
- Source:
- Von Sternberg
- Author(s):
John Baxter
- Publisher:
- University Press of Kentucky
Furthman and von Sternberg shared tastes in art and traveled together around the Caribbean in 1932. The script for Furthman's last film as screenwriter included two elements from Underworld: the act of money being thrown into a spittoon, and a heroine called “Feathers.” Hecht did not repudiate the film when it won the first Academy Award for Best Original Story. But von Sternberg understood cinema far better than Hecht, who, as a screenwriter, proved erratic. Although Schulberg signed him to a year's contract at $300 a week, Hecht failed to produce a single filmable idea, and it was not until the mid-1930s that he made a reputation for himself, with films such as Nothing Sacred.
Keywords: Furthman, Caribbean, screenwriter, erratic, reputation
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- Title Pages
- [UNTITLED]
- Dedication
- [UNTITLED]
- The Man Who Asked for Onions
- Vienna
- Love and Other Distractions
- An Artist’s Life
- The World, the Flesh, and William A. Brady
- In Uniform
- Over There
- Out There
- Photographing a Thought
- A Genuine Genius
- Three Sheets to the Wind
- The Ascent of Paramount
- The City of Dreadful Night
- A Great Man
- Came the Dawn
- The Lady with the Legs
- Falling in Love Again
- The Woman All Women Want to See
- Spies
- Talk like a Train
- Come Early, Stay Late
- Russian Dolls
- Moscow Rules
- The End of the Affair
- Cardboard Continental
- Far Cathay
- The Claudius Trap
- Family Ties
- The War at Home
- Americana
- The Seven Bad Years
- Because I Am a Poet
- The Lion Is Loose
- “Why Have I Not Been Given a Woman?”
- Acknowledgments
- Filmography
- Bibliography
- Index