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Raoul WalshThe True Adventures of Hollywood's Legendary Director$
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Marilyn Ann Moss

Print publication date: 2011

Print ISBN-13: 9780813133935

Published to Kentucky Scholarship Online: September 2011

DOI: 10.5810/kentucky/9780813133935.001.0001

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PRINTED FROM KENTUCKY SCHOLARSHIP ONLINE (www.kentucky.universitypressscholarship.com). (c) Copyright The University Press of Kentucky, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in KSO for personal use.date: 27 September 2021

The Dagger, the Sword, and the Gun

The Dagger, the Sword, and the Gun

(p.74) 4 The Dagger, the Sword, and the Gun
Raoul Walsh

Marilyn Ann Moss

University Press of Kentucky

Raoul Walsh began to think seriously about going independent and forming his own production company. As an independent, back in New York now, he surrounded himself with a group who could be considered his regulars—a few of them family members. Walsh's brief foray into independent filmmaking came to an abrupt halt, however, when the Mayflower Corporation fired him in February 1921. Walsh Productions was short-lived. Walsh's dream of being independent seemed to vanish before him at a time when the Hollywood moguls began to take hold of the industry; he would be working for others most of his life. Shooting What Price Glory? turned into Walsh's wildest ride to date. It was both a critical and box-office success when Fox released it, and was a watershed moment in Walsh's evolving career and development as a storyteller. Also important was that Walsh now stood at a brink in his personal life, where the feminine constituted its own war zone. His wife, Miriam, filed for divorce after her young son Jackie told her that Lorraine Helen Walker had been sleeping in their bedroom and that Walsh would not let him in.

Keywords:   Raoul Walsh, Walsh Productions, What Price Glory?, Miriam, Lorraine Helen Walker, independent filmmaking, Fox, Mayflower Corporation

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