- Title Pages
- Praise for Charles Walters
- Frontispiece
- Dedication
- Preface
-
1 The Anaheim Hoofer -
2 A “New Face” in Town -
3 Beginning the Beguine -
4 The Show is On -
5 Broadway’s “Ranking Dancing Juvenile” -
6 Backstage -
7 “You Think Like a Director” -
8 Putting His Best Foot Forward -
9 A Company Man -
10 Good News -
11 A Swell Couple -
12 Fred and Ginger -
13 Metro-Goldwyn-Schary -
14 Get Happy -
15 “A Dear Dame” -
16 Playing the Palace -
17 Hi-Lili, Hi-Lo -
18 “A Masterpiece of Modern Moisture” -
19 “Two-Faced Woman” -
20 Cinderella Stories -
21 In High Society -
22 Branching Out -
23 A Virgin and a Housewife -
24 Spoiled Spinster -
25 “What Elephant?” -
26 Ain’t Down Yet -
27 After the Lion -
28 Final Ovation -
Appendix - Acknowledgments
- Index
After the Lion
After the Lion
- Chapter:
- (p.235) 27 After the Lion
- Source:
- Charles Walters
- Author(s):
Brent Phillips
- Publisher:
- University Press of Kentucky
This chapter discusses the decline of the M-G-M studios, and Walters release in 1964 after twenty-two years under contract. The role of the independent director is explored, as is Walters’ work at Columbia directing Cary Grant’s final film Walk, Don’t Run (1966). This hit comedy also becomes Walters final feature film. He begins a personal relationship with Joseph Anthony. The popular resurgence of the movie musical in the 1960s is surveyed; Walters work on Lucille Ball’s sitcom Here’s Lucy is discussed. Walters desire to direct the film adaptation of the musical Mame is presented, with Ball’s explanation of why that didn’t happen.
Keywords: Decline of M-G-M, Independent director, Walk, Don’t Run, Cary Grant, Here’s Lucy, Television, Lucille Ball, Mame
Kentucky Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .
- Title Pages
- Praise for Charles Walters
- Frontispiece
- Dedication
- Preface
-
1 The Anaheim Hoofer -
2 A “New Face” in Town -
3 Beginning the Beguine -
4 The Show is On -
5 Broadway’s “Ranking Dancing Juvenile” -
6 Backstage -
7 “You Think Like a Director” -
8 Putting His Best Foot Forward -
9 A Company Man -
10 Good News -
11 A Swell Couple -
12 Fred and Ginger -
13 Metro-Goldwyn-Schary -
14 Get Happy -
15 “A Dear Dame” -
16 Playing the Palace -
17 Hi-Lili, Hi-Lo -
18 “A Masterpiece of Modern Moisture” -
19 “Two-Faced Woman” -
20 Cinderella Stories -
21 In High Society -
22 Branching Out -
23 A Virgin and a Housewife -
24 Spoiled Spinster -
25 “What Elephant?” -
26 Ain’t Down Yet -
27 After the Lion -
28 Final Ovation -
Appendix - Acknowledgments
- Index