- Title Pages
- Dedication
- Introduction
-
Part 1 Anna and Flo … and Lillian, 1867–1913 -
1 The Showman, the Strongman, and the Girl with the Eyes -
2 Gloomy Gus and the Petit Bourgeois -
3 “It’s Delightful to Be Married” -
4 A Maelstrom of Mirth -
5 Entrances and Exits -
6 The Girl at the Top of the Stairs -
Part 2 Billie and Flo … and Marilyn, 1914–1923 -
7 Taming an Incorrigible Bounder -
8 Lively Productions -
9 The Past Becomes Ashes -
10 The Ziegfelds’ Xanadu -
11 The Greatest Victory Party America Has Ever Known -
12 Dear Old Zieggy and Company -
13 A New Normalcy -
14 The End of the Glory Days -
Part 3 The Darkest Hour of Success, 1923–1932 -
15 Little Boy Blue -
16 Vacations from Reality -
17 A Shot in the Arm -
18 Splendor and Intelligence -
19 Ziegfeld Laughs … and Cries -
20 “I Can’t Do This Anymore” -
21 Going Home -
Part 4 The Legacy of Florenz Ziegfeld Jr., 1932– -
22 Going Hollywood -
23 His Shows Must Go On -
24 Beauty Slain - Epilogue
-
Appendix Shows Produced and Coproduced by Florenz Ziegfeld Jr. - Selected Bibliography
- Index
- Plates
- Screen Classics
Dear Old Zieggy and Company
Dear Old Zieggy and Company
- Chapter:
- (p.213) 12 Dear Old Zieggy and Company
- Source:
- Ziegfeld and His Follies
- Author(s):
Cynthia Brideson
Sara Brideson
- Publisher:
- University Press of Kentucky
This chapter gives a wide-ranging view of Ziegfeld as both a beloved boss and a traitorous one. The close-knit family of Ziegfeld stars, including Eddie Cantor, Fanny Brice, Will Rogers, W. C. Fields, and Bert Williams, is torn apart by the Actors Equity strike of 1919. Ziegfeld’s stars remain loyal to him until they learn that he has joined the Producing Managers Association. When his stars leave, despite his good treatment of them, Ziegfeld is personally affronted. The strike ends, but Ziegfeld’s life continues to be chaotic. Olive Thomas and another showgirl with whom he allegedly had an affair commit suicide. People begin to wonder if there is a Ziegfeld curse. Burke remains loyal to her husband, but she questions his loyalty as his attentions to Marilyn Miller grow more conspicuous. He makes preparations for a show written specifically for Miller that ultimately serves as a hymn to the youth and beauty that Ziegfeld feared was disappearing in the Jazz Age.
Keywords: Fanny Brice, Will Rogers, Eddie Cantor, W. C. Fields, Bert Williams, Actors Equity strike of 1919, Olive Thomas, Jack Pickford, Irving Berlin, Marilyn Miller
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- Title Pages
- Dedication
- Introduction
-
Part 1 Anna and Flo … and Lillian, 1867–1913 -
1 The Showman, the Strongman, and the Girl with the Eyes -
2 Gloomy Gus and the Petit Bourgeois -
3 “It’s Delightful to Be Married” -
4 A Maelstrom of Mirth -
5 Entrances and Exits -
6 The Girl at the Top of the Stairs -
Part 2 Billie and Flo … and Marilyn, 1914–1923 -
7 Taming an Incorrigible Bounder -
8 Lively Productions -
9 The Past Becomes Ashes -
10 The Ziegfelds’ Xanadu -
11 The Greatest Victory Party America Has Ever Known -
12 Dear Old Zieggy and Company -
13 A New Normalcy -
14 The End of the Glory Days -
Part 3 The Darkest Hour of Success, 1923–1932 -
15 Little Boy Blue -
16 Vacations from Reality -
17 A Shot in the Arm -
18 Splendor and Intelligence -
19 Ziegfeld Laughs … and Cries -
20 “I Can’t Do This Anymore” -
21 Going Home -
Part 4 The Legacy of Florenz Ziegfeld Jr., 1932– -
22 Going Hollywood -
23 His Shows Must Go On -
24 Beauty Slain - Epilogue
-
Appendix Shows Produced and Coproduced by Florenz Ziegfeld Jr. - Selected Bibliography
- Index
- Plates
- Screen Classics