- Title Pages
- Dedication
- Introduction
-
Part 1 Anna and Flo … and Lillian, 1867–1913 -
1 The Showman, the Strongman, and the Girl with the Eyes -
2 Gloomy Gus and the Petit Bourgeois -
3 “It’s Delightful to Be Married” -
4 A Maelstrom of Mirth -
5 Entrances and Exits -
6 The Girl at the Top of the Stairs -
Part 2 Billie and Flo … and Marilyn, 1914–1923 -
7 Taming an Incorrigible Bounder -
8 Lively Productions -
9 The Past Becomes Ashes -
10 The Ziegfelds’ Xanadu -
11 The Greatest Victory Party America Has Ever Known -
12 Dear Old Zieggy and Company -
13 A New Normalcy -
14 The End of the Glory Days -
Part 3 The Darkest Hour of Success, 1923–1932 -
15 Little Boy Blue -
16 Vacations from Reality -
17 A Shot in the Arm -
18 Splendor and Intelligence -
19 Ziegfeld Laughs … and Cries -
20 “I Can’t Do This Anymore” -
21 Going Home -
Part 4 The Legacy of Florenz Ziegfeld Jr., 1932– -
22 Going Hollywood -
23 His Shows Must Go On -
24 Beauty Slain - Epilogue
-
Appendix Shows Produced and Coproduced by Florenz Ziegfeld Jr. - Selected Bibliography
- Index
- Plates
- Screen Classics
Ziegfeld Laughs … and Cries
Ziegfeld Laughs … and Cries
- Chapter:
- (p.342) 19 Ziegfeld Laughs … and Cries
- Source:
- Ziegfeld and His Follies
- Author(s):
Cynthia Brideson
Sara Brideson
- Publisher:
- University Press of Kentucky
As this chapter begins, Ziegfeld produces an unlikely hit—an operetta of The Three Musketeers. Discussed are playwright William Anthony McGuire’s unprofessional, drunken behavior; backstage feuds; and Patricia’s propensity to fall in love with the leading men in her father’s productions. Ziegfeld’s production of Whoopee with Eddie Cantor is a phenomenal success and the producer’s fourth successive hit in the course of one year. Next he coproduces a film with Jesse Lasky, Glorifying the American Girl, although he still does not consider Hollywood a worthy rival. Ziegfeld reopens the Frolic, despite the fact that Prohibition is still in full swing. He then goes on to produce Show Girl and Noel Coward’s Bitter Sweet. The latter show gets a lukewarm reception, mainly because it opens the same week that the stock market crashes. Ziegfeld loses everything but continues to produce shows. His next one, Simple Simon, flops, and he seriously reconsiders his views on Hollywood. The chapter concludes with Ziegfeld planning to explore career possibilities on the West Coast. Thanks to talking films, musicals are booming in popularity.
Keywords: The Three Musketeers, Whoopee, Show Girl, Simple Simon, Glorifying the American Girl, Maurice Chevalier, Eddie Cantor, Ed Wynn, crash of 1929, Ruby Keeler
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- Title Pages
- Dedication
- Introduction
-
Part 1 Anna and Flo … and Lillian, 1867–1913 -
1 The Showman, the Strongman, and the Girl with the Eyes -
2 Gloomy Gus and the Petit Bourgeois -
3 “It’s Delightful to Be Married” -
4 A Maelstrom of Mirth -
5 Entrances and Exits -
6 The Girl at the Top of the Stairs -
Part 2 Billie and Flo … and Marilyn, 1914–1923 -
7 Taming an Incorrigible Bounder -
8 Lively Productions -
9 The Past Becomes Ashes -
10 The Ziegfelds’ Xanadu -
11 The Greatest Victory Party America Has Ever Known -
12 Dear Old Zieggy and Company -
13 A New Normalcy -
14 The End of the Glory Days -
Part 3 The Darkest Hour of Success, 1923–1932 -
15 Little Boy Blue -
16 Vacations from Reality -
17 A Shot in the Arm -
18 Splendor and Intelligence -
19 Ziegfeld Laughs … and Cries -
20 “I Can’t Do This Anymore” -
21 Going Home -
Part 4 The Legacy of Florenz Ziegfeld Jr., 1932– -
22 Going Hollywood -
23 His Shows Must Go On -
24 Beauty Slain - Epilogue
-
Appendix Shows Produced and Coproduced by Florenz Ziegfeld Jr. - Selected Bibliography
- Index
- Plates
- Screen Classics