- Title Pages
- Dedication
- Introduction
-
Part 1 Anna and Flo … and Lillian, 1867–1913 -
1 The Showman, the Strongman, and the Girl with the Eyes -
2 Gloomy Gus and the Petit Bourgeois -
3 “It’s Delightful to Be Married” -
4 A Maelstrom of Mirth -
5 Entrances and Exits -
6 The Girl at the Top of the Stairs -
Part 2 Billie and Flo … and Marilyn, 1914–1923 -
7 Taming an Incorrigible Bounder -
8 Lively Productions -
9 The Past Becomes Ashes -
10 The Ziegfelds’ Xanadu -
11 The Greatest Victory Party America Has Ever Known -
12 Dear Old Zieggy and Company -
13 A New Normalcy -
14 The End of the Glory Days -
Part 3 The Darkest Hour of Success, 1923–1932 -
15 Little Boy Blue -
16 Vacations from Reality -
17 A Shot in the Arm -
18 Splendor and Intelligence -
19 Ziegfeld Laughs … and Cries -
20 “I Can’t Do This Anymore” -
21 Going Home -
Part 4 The Legacy of Florenz Ziegfeld Jr., 1932– -
22 Going Hollywood -
23 His Shows Must Go On -
24 Beauty Slain - Epilogue
-
Appendix Shows Produced and Coproduced by Florenz Ziegfeld Jr. - Selected Bibliography
- Index
- Plates
- Screen Classics
Going Home
Going Home
- Chapter:
- (p.381) 21 Going Home
- Source:
- Ziegfeld and His Follies
- Author(s):
Cynthia Brideson
Sara Brideson
- Publisher:
- University Press of Kentucky
This chapter covers Ziegfeld’s disintegrating physical and mental states and his desperate attempts to revive his career. Ziegfeld’s next endeavor is a zany Bert Lahr musical comedy called Hot-Cha! He has to turn to gangsters for financial backing, including the notorious Waxy Gordon, and the show receives only mediocre reviews. Next, Ziegfeld decides to stage a revival of Show Boat but loses money on the project, despite a positive critical reception. Ziegfeld then agrees to host a radio program that will broadcast songs and skits from the Follies. Burke, meanwhile, agrees to star in a film for David O. Selznick, and Ziegfeld joins his family in Hollywood, even though he is gravely ill with pneumonia. Once in California, he is admitted to a hospital and dies shortly thereafter. Burke receives a phone call at the studio but does not arrive at the hospital in time to say a final good-bye. Burke and Patricia stay with Will Rogers and his wife until they find a small bungalow to live in. Burke, devastated and left alone to manage Ziegfeld’s massive debts, suffers terribly. Will Rogers remarks that Ziegfeld was not just a man but a symbol of a glorious bygone era.
Keywords: Bert Lahr, Eleanor Powell, Lupe Velez, Show Boat, Will Rogers, David O. Selznick, Billie Burke, A Bill of Divorcement
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- Title Pages
- Dedication
- Introduction
-
Part 1 Anna and Flo … and Lillian, 1867–1913 -
1 The Showman, the Strongman, and the Girl with the Eyes -
2 Gloomy Gus and the Petit Bourgeois -
3 “It’s Delightful to Be Married” -
4 A Maelstrom of Mirth -
5 Entrances and Exits -
6 The Girl at the Top of the Stairs -
Part 2 Billie and Flo … and Marilyn, 1914–1923 -
7 Taming an Incorrigible Bounder -
8 Lively Productions -
9 The Past Becomes Ashes -
10 The Ziegfelds’ Xanadu -
11 The Greatest Victory Party America Has Ever Known -
12 Dear Old Zieggy and Company -
13 A New Normalcy -
14 The End of the Glory Days -
Part 3 The Darkest Hour of Success, 1923–1932 -
15 Little Boy Blue -
16 Vacations from Reality -
17 A Shot in the Arm -
18 Splendor and Intelligence -
19 Ziegfeld Laughs … and Cries -
20 “I Can’t Do This Anymore” -
21 Going Home -
Part 4 The Legacy of Florenz Ziegfeld Jr., 1932– -
22 Going Hollywood -
23 His Shows Must Go On -
24 Beauty Slain - Epilogue
-
Appendix Shows Produced and Coproduced by Florenz Ziegfeld Jr. - Selected Bibliography
- Index
- Plates
- Screen Classics