- Title Pages
- Dedication
- Introduction
-
Part 1 Anna and Flo … and Lillian, 1867–1913 -
1 The Showman, the Strongman, and the Girl with the Eyes -
2 Gloomy Gus and the Petit Bourgeois -
3 “It’s Delightful to Be Married” -
4 A Maelstrom of Mirth -
5 Entrances and Exits -
6 The Girl at the Top of the Stairs -
Part 2 Billie and Flo … and Marilyn, 1914–1923 -
7 Taming an Incorrigible Bounder -
8 Lively Productions -
9 The Past Becomes Ashes -
10 The Ziegfelds’ Xanadu -
11 The Greatest Victory Party America Has Ever Known -
12 Dear Old Zieggy and Company -
13 A New Normalcy -
14 The End of the Glory Days -
Part 3 The Darkest Hour of Success, 1923–1932 -
15 Little Boy Blue -
16 Vacations from Reality -
17 A Shot in the Arm -
18 Splendor and Intelligence -
19 Ziegfeld Laughs … and Cries -
20 “I Can’t Do This Anymore” -
21 Going Home -
Part 4 The Legacy of Florenz Ziegfeld Jr., 1932– -
22 Going Hollywood -
23 His Shows Must Go On -
24 Beauty Slain - Epilogue
-
Appendix Shows Produced and Coproduced by Florenz Ziegfeld Jr. - Selected Bibliography
- Index
- Plates
- Screen Classics
Going Hollywood
Going Hollywood
- Chapter:
- (p.403) 22 Going Hollywood
- Source:
- Ziegfeld and His Follies
- Author(s):
Cynthia Brideson
Sara Brideson
- Publisher:
- University Press of Kentucky
After her husband’s death, Billie Burke reinvents herself in Hollywood. With the moral support of Will Rogers and the professional support of Sam Goldwyn, she becomes a sought-after character actress. Burke agrees to coproduce a new edition of the Follies with Ziegfeld’s former competitors, the Shuberts. The Follies of 1934 boasts former Ziegfeld star Fanny Brice as its primary attraction, as well as a number of up-and-coming talents, including Vincente Minnelli as scenic designer, Bob Hope, Eve Arden, and Buddy Ebsen. Several more Follies followed, the final one in 1957. The chapter includes updates on Ziegfeld’s favorite stars, Will Rogers and Marilyn Miller, and ends with a discussion of MGM’s preliminary plans to produce a biopic on Ziegfeld.
Keywords: Sam Goldwyn, Billie Burke, Dinner at Eight, Fanny Brice, Vincente Minnelli, Will Rogers, Marilyn Miller
Kentucky Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .
- Title Pages
- Dedication
- Introduction
-
Part 1 Anna and Flo … and Lillian, 1867–1913 -
1 The Showman, the Strongman, and the Girl with the Eyes -
2 Gloomy Gus and the Petit Bourgeois -
3 “It’s Delightful to Be Married” -
4 A Maelstrom of Mirth -
5 Entrances and Exits -
6 The Girl at the Top of the Stairs -
Part 2 Billie and Flo … and Marilyn, 1914–1923 -
7 Taming an Incorrigible Bounder -
8 Lively Productions -
9 The Past Becomes Ashes -
10 The Ziegfelds’ Xanadu -
11 The Greatest Victory Party America Has Ever Known -
12 Dear Old Zieggy and Company -
13 A New Normalcy -
14 The End of the Glory Days -
Part 3 The Darkest Hour of Success, 1923–1932 -
15 Little Boy Blue -
16 Vacations from Reality -
17 A Shot in the Arm -
18 Splendor and Intelligence -
19 Ziegfeld Laughs … and Cries -
20 “I Can’t Do This Anymore” -
21 Going Home -
Part 4 The Legacy of Florenz Ziegfeld Jr., 1932– -
22 Going Hollywood -
23 His Shows Must Go On -
24 Beauty Slain - Epilogue
-
Appendix Shows Produced and Coproduced by Florenz Ziegfeld Jr. - Selected Bibliography
- Index
- Plates
- Screen Classics