- Title Pages
- Dedication
- Introduction
-
Part 1 Anna and Flo … and Lillian, 1867–1913 -
1 The Showman, the Strongman, and the Girl with the Eyes -
2 Gloomy Gus and the Petit Bourgeois -
3 “It’s Delightful to Be Married” -
4 A Maelstrom of Mirth -
5 Entrances and Exits -
6 The Girl at the Top of the Stairs -
Part 2 Billie and Flo … and Marilyn, 1914–1923 -
7 Taming an Incorrigible Bounder -
8 Lively Productions -
9 The Past Becomes Ashes -
10 The Ziegfelds’ Xanadu -
11 The Greatest Victory Party America Has Ever Known -
12 Dear Old Zieggy and Company -
13 A New Normalcy -
14 The End of the Glory Days -
Part 3 The Darkest Hour of Success, 1923–1932 -
15 Little Boy Blue -
16 Vacations from Reality -
17 A Shot in the Arm -
18 Splendor and Intelligence -
19 Ziegfeld Laughs … and Cries -
20 “I Can’t Do This Anymore” -
21 Going Home -
Part 4 The Legacy of Florenz Ziegfeld Jr., 1932– -
22 Going Hollywood -
23 His Shows Must Go On -
24 Beauty Slain - Epilogue
-
Appendix Shows Produced and Coproduced by Florenz Ziegfeld Jr. - Selected Bibliography
- Index
- Plates
- Screen Classics
Taming an Incorrigible Bounder
Taming an Incorrigible Bounder
- Chapter:
- (p.139) 7 Taming an Incorrigible Bounder
- Source:
- Ziegfeld and His Follies
- Author(s):
Cynthia Brideson
Sara Brideson
- Publisher:
- University Press of Kentucky
This chapter covers Ziegfeld’s courtship of Burke and her initially ambivalent feelings about him. Their relationship brings out the showman in Ziegfeld, as he tries to prove his devotion through grand gestures. Burke and Ziegfeld share an inclination to overspend, and Burke buys her own estate, Burkeley Crest. Correspondence between Burke and Ziegfeld reveals a vulnerable and desperate side that Ziegfeld rarely showed to women. Ziegfeld and Burke ultimately elope, and the chapter details their first months together. Burke, who is more domestic than Ziegfeld, hopes to make Burkeley Crest their primary residence rather than Ziegfeld’s New York hotel suite. Most of their early days as a married couple are spent apart, due to their respective careers. Burke accepts roles in films, while Ziegfeld remains entrenched in the Follies. Ziegfeld is not done with his philandering ways, however, despite his love for Burke.
Keywords: Billie Burke, Burkeley Crest, Charles Frohman
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- Title Pages
- Dedication
- Introduction
-
Part 1 Anna and Flo … and Lillian, 1867–1913 -
1 The Showman, the Strongman, and the Girl with the Eyes -
2 Gloomy Gus and the Petit Bourgeois -
3 “It’s Delightful to Be Married” -
4 A Maelstrom of Mirth -
5 Entrances and Exits -
6 The Girl at the Top of the Stairs -
Part 2 Billie and Flo … and Marilyn, 1914–1923 -
7 Taming an Incorrigible Bounder -
8 Lively Productions -
9 The Past Becomes Ashes -
10 The Ziegfelds’ Xanadu -
11 The Greatest Victory Party America Has Ever Known -
12 Dear Old Zieggy and Company -
13 A New Normalcy -
14 The End of the Glory Days -
Part 3 The Darkest Hour of Success, 1923–1932 -
15 Little Boy Blue -
16 Vacations from Reality -
17 A Shot in the Arm -
18 Splendor and Intelligence -
19 Ziegfeld Laughs … and Cries -
20 “I Can’t Do This Anymore” -
21 Going Home -
Part 4 The Legacy of Florenz Ziegfeld Jr., 1932– -
22 Going Hollywood -
23 His Shows Must Go On -
24 Beauty Slain - Epilogue
-
Appendix Shows Produced and Coproduced by Florenz Ziegfeld Jr. - Selected Bibliography
- Index
- Plates
- Screen Classics