- Title Pages
- Foreword
- Introduction
-
1 From the Marais to the Batignolles -
2 From Vincennes to the Alhambra -
3 Pathé -
4 The Société Cinématographique des Auteurs et Gens de Lettres -
5 Les Misérables -
6 Filmmaker -
7 End of Reel -
8 On the Front Line -
9 Going or Staying -
10 The Visualizer of Les Misérables -
11 World Film Corporation -
12 Woman’s Director -
13 Transition at Mutual -
14 Metro Director -
15 The Red Lantern -
16 Albert Capellani Productions, Inc. -
17 Cosmopolitan Productions -
18 Back Home - Acknowledgments
- Filmography
- Albert Capellani Films on DVD
- Selected Bibliography
- Index
- Screen Classics
- Plates
Pathé
Pathé
- Chapter:
- (p.17) 3 Pathé
- Source:
- Albert Capellani
- Author(s):
Christine Leteux
- Publisher:
- University Press of Kentucky
Capellani arrived in Pathé, at the time the premiere film producing company in the world, around 1905. Very quickly he became an important member of the company, showing a visual and dramatic sense ahead of its time. By 1907, Charles Pathé introduced the rental of prints, creating the modern system of exhibition. Capellani was ambitious, and Pathé promoted him to supervisor of its new subsidiary company, the SCAGL.
Keywords: Charles Pathé, Ferdinand Zecca, The Pathé Company, Max Linder
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- Title Pages
- Foreword
- Introduction
-
1 From the Marais to the Batignolles -
2 From Vincennes to the Alhambra -
3 Pathé -
4 The Société Cinématographique des Auteurs et Gens de Lettres -
5 Les Misérables -
6 Filmmaker -
7 End of Reel -
8 On the Front Line -
9 Going or Staying -
10 The Visualizer of Les Misérables -
11 World Film Corporation -
12 Woman’s Director -
13 Transition at Mutual -
14 Metro Director -
15 The Red Lantern -
16 Albert Capellani Productions, Inc. -
17 Cosmopolitan Productions -
18 Back Home - Acknowledgments
- Filmography
- Albert Capellani Films on DVD
- Selected Bibliography
- Index
- Screen Classics
- Plates