- Title Pages
- Foreword
- Introduction
-
1 From the Marais to the Batignolles -
2 From Vincennes to the Alhambra -
3 Pathé -
4 The Société Cinématographique des Auteurs et Gens de Lettres -
5 Les Misérables -
6 Filmmaker -
7 End of Reel -
8 On the Front Line -
9 Going or Staying -
10 The Visualizer of Les Misérables -
11 World Film Corporation -
12 Woman’s Director -
13 Transition at Mutual -
14 Metro Director -
15 The Red Lantern -
16 Albert Capellani Productions, Inc. -
17 Cosmopolitan Productions -
18 Back Home - Acknowledgments
- Filmography
- Albert Capellani Films on DVD
- Selected Bibliography
- Index
- Screen Classics
- Plates
End of Reel
End of Reel
- Chapter:
- (p.49) 7 End of Reel
- Source:
- Albert Capellani
- Author(s):
Christine Leteux
- Publisher:
- University Press of Kentucky
In August 1914, Capellani was shooting Hugo’s Quatre-vingt-treize when war erupted. Film production was curtailed, and Quatre-vingt-treize was not exhibited until 1921. The film had always been credited to Capellani and André Antoine. My research in contemporary documents shows that Antoine’s input was limited.
Keywords: Victor Hugo, Great War, André Antoine, Henry-Krauss
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- Title Pages
- Foreword
- Introduction
-
1 From the Marais to the Batignolles -
2 From Vincennes to the Alhambra -
3 Pathé -
4 The Société Cinématographique des Auteurs et Gens de Lettres -
5 Les Misérables -
6 Filmmaker -
7 End of Reel -
8 On the Front Line -
9 Going or Staying -
10 The Visualizer of Les Misérables -
11 World Film Corporation -
12 Woman’s Director -
13 Transition at Mutual -
14 Metro Director -
15 The Red Lantern -
16 Albert Capellani Productions, Inc. -
17 Cosmopolitan Productions -
18 Back Home - Acknowledgments
- Filmography
- Albert Capellani Films on DVD
- Selected Bibliography
- Index
- Screen Classics
- Plates