- Title Pages
- Foreword
- Introduction
-
1 From the Marais to the Batignolles -
2 From Vincennes to the Alhambra -
3 Pathé -
4 The Société Cinématographique des Auteurs et Gens de Lettres -
5 Les Misérables -
6 Filmmaker -
7 End of Reel -
8 On the Front Line -
9 Going or Staying -
10 The Visualizer of Les Misérables -
11 World Film Corporation -
12 Woman’s Director -
13 Transition at Mutual -
14 Metro Director -
15 The Red Lantern -
16 Albert Capellani Productions, Inc. -
17 Cosmopolitan Productions -
18 Back Home - Acknowledgments
- Filmography
- Albert Capellani Films on DVD
- Selected Bibliography
- Index
- Screen Classics
- Plates
Going or Staying
Going or Staying
- Chapter:
- (p.57) 9 Going or Staying
- Source:
- Albert Capellani
- Author(s):
Christine Leteux
- Publisher:
- University Press of Kentucky
In 1915, Capellani was faced with a difficult decision: staying in France at Pathé and waiting for the studio to resume activity, or crossing the Atlantic to work in the United States. He decided to leave Pathé for good when he learned that the famous theater director André Antoine had been recruited to make films. There was no friendship between Antoine and Capellani, contrary to earlier opinion. Léon Gaumont tried to recruit Capellani, which shows the standing he enjoyed in the film industry
Keywords: Pathé, André Antoine, Gaumont
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- Title Pages
- Foreword
- Introduction
-
1 From the Marais to the Batignolles -
2 From Vincennes to the Alhambra -
3 Pathé -
4 The Société Cinématographique des Auteurs et Gens de Lettres -
5 Les Misérables -
6 Filmmaker -
7 End of Reel -
8 On the Front Line -
9 Going or Staying -
10 The Visualizer of Les Misérables -
11 World Film Corporation -
12 Woman’s Director -
13 Transition at Mutual -
14 Metro Director -
15 The Red Lantern -
16 Albert Capellani Productions, Inc. -
17 Cosmopolitan Productions -
18 Back Home - Acknowledgments
- Filmography
- Albert Capellani Films on DVD
- Selected Bibliography
- Index
- Screen Classics
- Plates