- Title Pages
- Foreword
- Introduction
-
1 From the Marais to the Batignolles -
2 From Vincennes to the Alhambra -
3 Pathé -
4 The Société Cinématographique des Auteurs et Gens de Lettres -
5 Les Misérables -
6 Filmmaker -
7 End of Reel -
8 On the Front Line -
9 Going or Staying -
10 The Visualizer of Les Misérables -
11 World Film Corporation -
12 Woman’s Director -
13 Transition at Mutual -
14 Metro Director -
15 The Red Lantern -
16 Albert Capellani Productions, Inc. -
17 Cosmopolitan Productions -
18 Back Home - Acknowledgments
- Filmography
- Albert Capellani Films on DVD
- Selected Bibliography
- Index
- Screen Classics
- Plates
The Red Lantern
The Red Lantern
- Chapter:
- (p.107) 15 The Red Lantern
- Source:
- Albert Capellani
- Author(s):
Christine Leteux
- Publisher:
- University Press of Kentucky
The production of The Red Lantern (1919) with Nazimova was a showcase of Capellani’s talents; he became involved in the writing of the script with June Mathis, in the preparation of the sets (recreating Peking), and in directing the huge crowds of extras as well as the stars. It was the only film Capellani directed in Hollywood, following the flu epidemic of 1918 that moved production from the East to California.
Keywords: Alla Nazimova, June Mathis, Metro Picture Corporation
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- Title Pages
- Foreword
- Introduction
-
1 From the Marais to the Batignolles -
2 From Vincennes to the Alhambra -
3 Pathé -
4 The Société Cinématographique des Auteurs et Gens de Lettres -
5 Les Misérables -
6 Filmmaker -
7 End of Reel -
8 On the Front Line -
9 Going or Staying -
10 The Visualizer of Les Misérables -
11 World Film Corporation -
12 Woman’s Director -
13 Transition at Mutual -
14 Metro Director -
15 The Red Lantern -
16 Albert Capellani Productions, Inc. -
17 Cosmopolitan Productions -
18 Back Home - Acknowledgments
- Filmography
- Albert Capellani Films on DVD
- Selected Bibliography
- Index
- Screen Classics
- Plates