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Michael CurtizA Life in Film$
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Alan K. Rode

Print publication date: 2017

Print ISBN-13: 9780813173917

Published to Kentucky Scholarship Online: May 2018

DOI: 10.5810/kentucky/9780813173917.001.0001

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PRINTED FROM KENTUCKY SCHOLARSHIP ONLINE (www.kentucky.universitypressscholarship.com). (c) Copyright The University Press of Kentucky, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in KSO for personal use.date: 31 July 2021

Cash Cow

Cash Cow

Chapter:
(p.224) 20 Cash Cow
Source:
Michael Curtiz
Author(s):

Alan K. Rode

Publisher:
University Press of Kentucky
DOI:10.5810/kentucky/9780813173917.003.0020

Curtiz embarked on the most successful portion of his career as his cinematic style merged with the rapid-paced Warner studio technique. His relentless attention to detail includedresearching the nuances of his adopted country asthey might be applied to each of his film assignments. Screenwriters such as Casey Robinson and Robert Buckner questioned his ability to maintain story continuity, but no one could argue with his ability to make a successful picture. He was nominated as Best Director for Four Daughters,which rocketed John Garfield to stardom, and also for Angels with Dirty Faces, starring James Cagney.He closed out the year by directing Dodge City, a sprawling Technicolor Western starring Errol Flynn and Olivia de Havillandthat would be one of the top-ten Hollywood moneymakers in 1939. Curtiz and Bess settled into a comfortable routine on the Canoga Ranch; Kitty attended CCNY as the Warners launched a campaign to rally the country against the specter of Nazism in Europe.

Keywords:   Casey Robinson, Four’s a Crowd, Julius and Philip Epstein, John Garfield, Four Daughters, James Cagney, Angels with Dirty Faces, Errol Flynn, Olivia de Havilland, Dodge City

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