- Title Pages
- Dedication
- Prologue
-
1 A River Runs through It -
2 Actor to Director -
3 Transylvanian Idyll -
4 Phönix Rising -
5 A Stirred-up Anthill -
6 City of Film -
7 Monumental-Filme -
8 Exodus in Red Heels -
9 A Family Business -
10 Hungarian in the Promised Land -
11 A Loving Collaboration -
12 Hollywood’s Great Deluge -
13 General Foreman -
14 Pre-Code in Synthetic Flesh -
15 Regime Change -
16 Home on the Range -
17 The Dream Team -
18 The Reason Why -
19 Falling Fruit -
20 Cash Cow -
21 Reaching Their Majority -
22 The Swash and the Buckler -
23 The “Pinochle” of His Career -
24 Fundamental Things -
25 “Those fine patriotic citizens, the Warner Brothers” -
26 Victory Garden -
27 A Michael Curtiz Production -
28 Vanished Dreams -
29 Doomed Masterpiece -
30 Nerve Ending -
31 Only in Hollywood -
32 Dégringolade -
33 Out on His Shield - Acknowledgments
-
Filmography
- Bibliography
- Index
- Screen Classics
Nerve Ending
Nerve Ending
- Chapter:
- (p.461) 30 Nerve Ending
- Source:
- Michael Curtiz
- Author(s):
Alan K. Rode
- Publisher:
- University Press of Kentucky
Curtiz directedI’ll See You in My Dreams (1951), starring Doris Day and the newcomer Danny Thomas. The picture was his last box-office hit at Warner Bros.His long-cherished project,The Will Rogers Story, starring the commentator-actor’s son, was a handsome picture but a commercial failure. A remake of The Jazz Singer(1952) with Danny Thomas turned out even worse, though he cast the singer Peggy Lee in the film.Curtiz was becoming increasingly angry with Warners for refusing to hire his brother David as an assistant director and stonewalling his inquiries concerning the profit percentages on his films. After Curtiz directed John Wayne in Trouble Along the Way(1953), the studio claimed that all Curtiz’s films but onehad lost money.It then attempted to cheat him out of those minuscule profits by legally parsing his contract.The author also notes two sets of differing financial figures that Warner Bros. maintained on Curtiz’s films.After Warner informed him that he would have to accept a salary reduction and rejected his profit claims, Curtiz threatened a lawsuit. The suit was dropped and Jack Warner eventually paid him off to settle the matter. Curtiz finished his last Warner movie,The Boy from Oklahoma(1954),and moved on to Paramount Pictures.
Keywords: I’ll See You in My Dreams, Danny Thomas, The Will Rogers Story, Will Rogers Jr., The Jazz Singer, Peggy Lee, Trouble Along the Way, John Wayne, The Boy from Oklahoma, Warner Bros. creative bookkeeping
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- Title Pages
- Dedication
- Prologue
-
1 A River Runs through It -
2 Actor to Director -
3 Transylvanian Idyll -
4 Phönix Rising -
5 A Stirred-up Anthill -
6 City of Film -
7 Monumental-Filme -
8 Exodus in Red Heels -
9 A Family Business -
10 Hungarian in the Promised Land -
11 A Loving Collaboration -
12 Hollywood’s Great Deluge -
13 General Foreman -
14 Pre-Code in Synthetic Flesh -
15 Regime Change -
16 Home on the Range -
17 The Dream Team -
18 The Reason Why -
19 Falling Fruit -
20 Cash Cow -
21 Reaching Their Majority -
22 The Swash and the Buckler -
23 The “Pinochle” of His Career -
24 Fundamental Things -
25 “Those fine patriotic citizens, the Warner Brothers” -
26 Victory Garden -
27 A Michael Curtiz Production -
28 Vanished Dreams -
29 Doomed Masterpiece -
30 Nerve Ending -
31 Only in Hollywood -
32 Dégringolade -
33 Out on His Shield - Acknowledgments
-
Filmography
- Bibliography
- Index
- Screen Classics