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Barbara La MarrThe Girl Who Was Too Beautiful for Hollywood$
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Sherri Snyder

Print publication date: 2017

Print ISBN-13: 9780813174259

Published to Kentucky Scholarship Online: May 2018

DOI: 10.5810/kentucky/9780813174259.001.0001

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PRINTED FROM KENTUCKY SCHOLARSHIP ONLINE (www.kentucky.universitypressscholarship.com). (c) Copyright The University Press of Kentucky, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in KSO for personal use.date: 21 September 2021

Twenty-Six

Twenty-Six

Chapter:
(p.262) Twenty-Six
Source:
Barbara La Marr
Author(s):

Sherri Snyder

Publisher:
University Press of Kentucky
DOI:10.5810/kentucky/9780813174259.003.0027

Keeping her diagnosis a secret, Barbara moves forward with her career. This chapter focuses on two films she made at this time: The Shooting of Dan McGrew (1924) and The White Moth (1924), both significant in that they exemplify Arthur Sawyer’s ongoing exploitation of her sex symbol image. The films are accompanied by details pertaining to production, plot synopses, and critical reception. The groundwork is laid for Barbara’s future romance with Ben Lyon, her White Moth costar. A sizable segment of the chapter centers on Barbara’s embroilment in the sensationalized trial of the case of The People of the State of California vs. Herman Roth. Though she created a sensation when she had Roth jailed for blackmail, it now remains for her testimony—part of which involves the complete revelation of her disreputable past—to prove or disprove Roth’s charges of adulterous behavior against her.

Keywords:   Barbara, Sawyer, The Shooting of Dan McGrew, White Moth, Lyon, Roth

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