Introduction

John Billheimer

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Hitchcock and the Censors

John Billheimer

Print publication date: 2019

Print ISBN-13: 9780813177427

Published to Kentucky Scholarship Online: January 2020

DOI: 10.5810/kentucky/9780813177427.001.0001

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ContentsFRONT MATTER

Title Pages
Dedication
Introduction
I The Code and the Censors
- 1 Origins of the Code
- 2 Censors at Work
II The British Years (1922–1939)
- 3 The British Board of Film Censors
- 4 The British Gaumont Thrillers
III The Selznick Years (1940–1947)
- 5 Hitchcock and Selznick
- 6 Rebecca (1940)
- 7 Foreign Correspondent (1940)
- 8 Mr. and Mrs. Smith (1941)
- 9 Suspicion (1941)
- 10 Saboteur (1942)
- 11 Shadow of a Doubt (1943)
- 12 Lifeboat (1944)
- 13 Spellbound (1945)
- 14 Notorious (1946)
- 15 The Paradine Case (1947)
IV The Transatlantic Years (1948–1949)
- 16 Hitchcock and Transatlantic
- 17 Rope (1948)
- 18 Under Capricorn (1949)
V The Warner’s Years (1950–1954)
- 19 Hitchcock and Warner Bros.
- 20 Stage Fright (1950)
- 21 Strangers on a Train (1951)
- 22
- 23 Dial M for Murder (1954)
VI The Glory Years (1954–1968)
- 24 Hitchcock in Ascendance
- 25 Rear Window (1954)
- 26 To Catch a Thief (1955)
- 27 The Trouble with Harry (1955)
- 28 The Man Who Knew Too Much (1956)
- 29 The Wrong Man (1956)
- 30 Vertigo (1958)
- 31 North by Northwest (1959)
- 32 Psycho (1960)
- 33 The Birds (1963)
- 34 Marnie (1964)
- 35 Torn Curtain (1966)
VII The Television Years (1955–1965)
- 36 Television Censorship
- 37 Alfred Hitchcock Presents
VIII The Post-Code Years (1968–1980)
- 38 The Decline of the Code
- 39 The Rise of the Rating System
- 40 Topaz (1969)
- 41 Frenzy (1972)
- 42 Family Plot (1976)
- Conclusion
END MATTER
Acknowledgments
Appendix
Notes
Selected Bibliography
Index
Screen Classics

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Introduction

Chapter:: (p.1) Introduction
Source:: Hitchcock and the Censors
Author(s):: John Billheimer
Publisher:: University Press of Kentucky

DOI:10.5810/kentucky/9780813177427.003.0001

In the dining car of the Twentieth Century Limited, Eva Marie Saint raises her eyebrows and smiles provocatively at Cary Grant. Her lips form the words “I never make love on an empty stomach.” But on the soundtrack, the audience hears, “I never discuss love on an empty stomach.” This line from the movie ...

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Introduction

Introduction

John Billheimer