Marnie was the second picture Hitchcock made with his new prot’g’e, Tippi Hedren. He had intended to use Grace Kelly in the title role, but Princess Grace begged off at the last minute. The Production Code office was primarily concerned with the marriage consummation scene between the businessman, played by Sean Connery, and Marnie, the thief who fascinates him. The censors found this scene unacceptable because Connery’s actions ‘could almost be described as an action of rape.’ Aside from this major worry, the Code office was principally concerned with language, including the forbidden expressions ‘little bitch’ and ‘crissakes.’ Hitchcock cleaned up the screen language, and screenwriter Jay Presson Allen, who considered the honeymoon scene to be ‘just a trying marital situation,’ rewrote the scene to the satisfaction of Code officials. In the midst of shooting, Hitchcock and Hedren had a falling-out, Hitchcock often appeared distracted, and relations between the two never recovered. After Hitchcock’s death, Hedren accused him of making unwanted sexual demands during this period. Following Marnie, Hedren never again worked for Hitchcock or achieved the acclaim she had on her first two pictures, and the film signaled the start of the weakest period of the director’s career.
Kentucky Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.