Collaboration and Chastisement
Collaboration and Chastisement
Cukor Directs Hepburn
This chapter shifts from content analysis to study of production context in an exploration of methods and impacts of collaboration between George Cukor and Katharine Hepburn. The ten films the duo made together span much of Cukor’s career, but the chapter centers on study of three key pictures: The Philadelphia Story (1940), Adam’s Rib (1949), and Love in the Ruins (1975). Examined together, this trio of films illustrates the professional bond between director and actor, focusing in particular on how the Cukor/Hepburn alliance utilized a feminist understanding of audience reception, where gendered chastisement of the characters Hepburn plays allows for celebration of her iconoclastic stature as a female Hollywood star.
Keywords: Katharine Hepburn, collaboration, feminism, Hollywood
Kentucky Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .